OTHER STAGE DIRECTIONS
and WHO is hiding HERE? (2019)
CHILDREN’S THEATER SHOW
Age range 5-7 years.
Duration: ’55 minutes.
By and with Elena Debortoli
With directorial support from Matteo Cionini.
Set design: Paolo Scaglia and Simona Randazzo.
Costumes: Jessica Crispino and Patrizia ToffolI
A little reader, a little bookworm, hides among the bookshelves.
If the other mice reject him because he is different, he takes refuge among the books, makes it his home, takes care of the letters and plays with them.
We thus enter his typical day. But an unexpected event will bring the letters and the mouse to a great change.
Loosely based on a story by Gianni Rodari, “AND WHO IS HIDING HERE?” through physical theater, images, music and dance, plays with children by slowly introducing them to the world of words, touching on tiptoes, those of a mouse, the notes of marginalization.
and WHO is hiding HERE? (2019)
CHILDREN’S THEATER SHOW
Age range 5-7 years.
Duration: ’55 minutes.
By and with Elena Debortoli
With directorial support from Matteo Cionini.
Set design: Paolo Scaglia and Simona Randazzo.
Costumes: Jessica Crispino and Patrizia ToffolI
A little reader, a little bookworm, hides among the bookshelves.
If the other mice reject him because he is different, he takes refuge among the books, makes it his home, takes care of the letters and plays with them.
We thus enter his typical day. But an unexpected event will bring the letters and the mouse to a great change.
Loosely based on a story by Gianni Rodari, “AND WHO IS HIDING HERE?” through physical theater, images, music and dance, plays with children by slowly introducing them to the world of words, touching on tiptoes, those of a mouse, the notes of marginalization.
60 Minutes of Silence (2016)
Little stories of human follies, and other wonders.
with Roberta Quarello, Sara Bondioli and Fabrizio di Giambattista
Love, migration, distance, human relationships in the age of smartphones, the great illusion of money. Our life.
A tribute to the fallen around the world, but also to those left standing. A thought for our daily lives that we take for granted, and to the daily lives of others that we should not take for granted. The needs, the tragedies, the emotions, the smile.
They are different stories, linked by a secular and minimal ceremony-a recollection that prompts reflection and triggers images, places, and characters.
Performance acted without words and totally in silence.
AGORA Project (2014)
with Mara Scagli and Riccardo Maffiotti
Framework painted by Claudio Cionini
Costumes by Simona Randazzo
Makeup by Irene Marsicovetere
Multidisciplinary Project of Theater, Dance, Painting, Video Editing and Video Projections. Project from which the research path on multimedia theater began.
Agora means “now,” in Portuguese.
Agora’ means “to gather,” in ancient Greek.
And it indicated the square, where citizens gathered to discuss and decide.
It is this motionless journey that strips away architecture and conventions, habits and crossroads. Going to theessence of everything, to rediscover something that may not yet have been lost.
AGORA Project (2014)
with Mara Scagli and Riccardo Maffiotti
Framework painted by Claudio Cionini
Costumes by Simona Randazzo
Makeup by Irene Marsicovetere
Multidisciplinary Project of Theater, Dance, Painting, Video Editing and Multimedia. Project from which the research path on multimedia theater began.
Agora means “now,” in Portuguese.
Agora’ means “to gather,” in ancient Greek.
And it indicated the square, where citizens gathered to discuss and decide.
It is this motionless journey that strips away architecture and conventions, habits and crossroads. Going to theessence of everything, to rediscover something that may not yet have been lost.
